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- <text id=94TT0025>
- <title>
- Jan. 10, 1994: The Arts & Media:Cinema
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1994
- Jan. 10, 1994 Las Vegas:The New All-American City
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- THE ARTS & MEDIA, Page 58
- Cinema
- Blessed Are The Caretakers
- </hdr>
- <body>
- <p>Johnny Depp anchors a flighty family drama
- </p>
- <p>By Richard Corliss
- </p>
- <p> In movies, misfits are sacred. The emotionally or mentally
- disturbed are usually portrayed not as human beings working
- harder than most to get through the day, but as heroes and holy
- fools. In many a film fable they are sentimentalized into superior
- beings--residents of some spiritual high-rise that the rest
- of us might aspire to, if only we dared jettison our inhibitions
- and soar into the divine state we ignorantly call dysfunction
- or some unkinder name.
- </p>
- <p> So half a cheer for What's Eating Gilbert Grape, which suggests
- that the true heroes are those people who day by day must tend
- to misfits, and do so with love, tenacity and a determination
- not to go terminally sour in the process.
- </p>
- <p> Gilbert (Johnny Depp) might be the patron saint of all such
- caretakers. A grocery-store clerk in forlorn Endora, Iowa, he
- looks after his retarded brother (Leonardo DiCaprio), who likes
- to climb things, and his mountainous mom (Darlene Cates), who,
- at an immobile 500 lbs., is something of a local tourist attraction.
- Nor does the need stop at his front door. Gilbert must satisfy
- the sexual desires of a tartly cheerful matron (Mary Steenburgen),
- even as he is drawn to newcomer Becky (Juliette Lewis), a teenager
- whose ease and freedom seem like fresh oxygen in the coal mine
- of Gilbert's life.
- </p>
- <p> You've heard this one before: except for Momma, it's The Last
- Picture Show. This picture show doesn't match that one. The
- script, by Peter Hedges from his novel, spins out a few too
- many eccentricities, and the direction, by Lasse Hallstrom (My
- Life as a Dog), meanders. But DiCaprio and Cates bring loopy
- authenticity to their roles, and Depp is, as always, a most
- effacing star. Here, as in Edward Scissorhands and Benny & Joon,
- he behaves wonderfully on screen. He should be even better when
- he gets the chance to misbehave as a demented director in Tim
- Burton's forthcoming Ed Wood.
- </p>
-
- </body>
- </article>
- </text>
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